Archive for April, 2008

Psychology of Facebook: chance to participate

Dr. B J Fogg, who teaches the Psychology of Facebook course at Stanford , has kindly written by way of a comment to an earlier post, that Mouse Trap readers who wish to know more about the project and want to participate, can join the Facebook group for that course. They keep everything updated on the group page and you can read about what they are doing and how you can participate there.
I, myself, have subscribed to the group as I being a web 2.0 enthusiast too, find the topic to be pertinent and interesting.

They also keep a blog and it is worth checking out. For example one of the recent entries shows how the facebook community is a sucker for apps titled “Share the Love”; but are put off by apps titled ‘Declare war’. Apparently web2.0 is all about sharing, caring and making love and not about making war or competing.

By the way, I have seen a trend among bloggers to have a group page on facebook regarding their blog. I’m not sure of the utility of such a page, but an opportunity to connect is always welcome. In case some of you are keen, we can start a mouse trap community on facebook.

God is just a type I error!

Yes, believe me God is an error and that too a type I error. But before we appreciate the subtleties of that argument, we have to first learn a bit about error management theory ( not to be confused with the TMT or terror management theory about which too I have blogged previously). EMT in simple terms is an evolutionary theory that posits that we do not minimize the number of errors that are possible when we are faced with ambiguous situations and corresponding ambiguous decisions to make; but that we minimize the total costs associated with making the errors. To simplify, whenever we make a decision about reality that is based on our inferences then we can make two types of errors : in type I errors we assume/ infer something to be real, while the phenomenon is itself unreal (this is a false positive);l while in type II errors we assume/infer something to be unreal while the phenomenon is real.

To take by the way of an example , if we are in a jungle and hear a sound in a bush ; then if the sound was from a lion and we inferred that it was not from a lion we make a type II error; if the sound was not from a lion, but we infer that it was from a lion we make a type I error. Obviously in this case it is best to make a type I error as a type II error can mean death. Evolution would thus select for a behavior that is biased towards the flase positive inferences in this case.

I’ll now let Haselton define the theory and give examples:

Error management theory proposes that the direction of a bias in social judgment is tied to how costly different kinds of errors are. For example, consider how smoke alarms are designed. Failures to detect fires (false negative errors) are extremely costly, whereas false alarms (false positives) are usually just inconvenient. So, when engineers make smoke alarms, they tend design them to be biased away from the more costly false negative error by setting a low threshold for fire detection. As a consequence, smoke alarms will tend to be systematically biased toward false positive errors (false alarms). A low threshold for fire detection will cause smoke alarms to make more errors overall, but it will minimize the cost of errors when they inevitably occur (i.e., the errors will tend to be false alarms rather than missed fires).

Error management theory proposes that the same principle of design applies to the evolution of judgment mechanisms in the human mind. Ancestrally, in many areas of social judgment, the costs of false positive and false negative errors differed. When the costs of false negatives are greater, error management theory predicts a bias toward false positives (as in the smoke alarm example); when the costs of false positives are greater, error management theory predicts a bias toward false negatives.

One example of a false-positive bias is in men’s estimations of women’s sexual interest. For an ancestral man, failing to detect sexual interest in a woman resulted in a missed reproductive opportunity, which was highly costly to his reproductive success. The opposite error (believing that a woman was interested when she was not) was perhaps a bit embarrassing, but probably was less costly overall. Thus, error management theory predicts that natural selection designed a bias in men toward slightly overestimating a woman’s sexual interest in order to reduce the likelihood of a missed sexual opportunity; this leads modern men to “overpercieve” women’s sexual interest.

Satoshi Kanazawa, who has applied the error management theory to the above men-think-women-are-attracted-to-them behavior has a two part post over at his psychology today blog that is worth reading in entirety. There he argues that we believe in god, because of an inbuilt bias to detect agency. He says that detecting agency when none is there can only lead to paranoia in the worst case, while not detecting agency when there was one could lead to death. He has a beautiful figure illustrating the same and I post it here.

Different theorists call this innate human tendency to commit false-positive errors rather than false-negative errors (and as a consequence be a bit paranoid) “animistic bias” or “the agency-detector mechanism.” These theorists argue that the evolutionary origins of religious beliefs in supernatural forces may have come from such an innate cognitive bias to commit false-positive errors rather than false-negative errors, and thus overinfer personal, intentional, and animate forces behind otherwise perfectly natural phenomena.

You see a bush on fire. It could have been caused by an impersonal, inanimate, and unintentional force (lightning striking the bush and setting it on fire), or it could have been caused by a personal, animate, and intentional force (God trying to communicate with you). The “animistic bias” or “agency-detector mechanism” predisposes you to opt for the latter explanation rather than the former. It predisposes you to see the hands of God at work behind natural, physical phenomena whose exact causes are unknown.

In this view, religiosity (the human capacity for belief in supernatural beings) is not an evolved tendency per se; after all, religion in itself is not adaptive. It is instead a byproduct of animistic bias or the agency-detector mechanism, the tendency to be paranoid, which is adaptive because it can save your life. Humans did not evolve to be religious; they evolved to be paranoid. And humans are religious because they are paranoid

It is interesting to note that Kanazawa mentions the research of Nettle as I am myself a big fan of his work, but never knew that he had contributed to the EMT too. I myself have speculated on the close association of religiosity with psychosis and the Kanzawa post just bolsters the arguments there.

To sum up, it is perhaps better to be paranoid and suffer from the God delusion! You would at least survive to pass your genes along!!

Antidepressants and neurogenesis / plasticity

It is relatively less well known that much of the anti-depressant effect of medications like Prozac may be due to them leading to better neurogenesis in the brain/ hippocampus. It is more well known that depression may itself be caused due to reduced neurogenesis. What is most well known is the scientifically unproved ‘serotonin’ theory of depression and how SSRIs work by increasing the level of serotonin in the brain.

Now a new research paper shows that Prozac has a non-specific effect on plasticity ion the brain and can even be used to treat Ambylopia, a defect of visual system, by rewiring the brain. Here is the abstract:

We investigated whether fluoxetine, a widely prescribed medication for treatment of depression, restores neuronal plasticity in the adult visual system of the rat. We found that chronic administration of fluoxetine reinstates ocular dominance plasticity in adulthood and promotes the recovery of visual functions in adult amblyopic animals, as tested electrophysiologically and behaviorally. These effects were accompanied by reduced intracortical inhibition and increased expression of brain-derived neurotrophic factor in the visual cortex. Cortical administration of diazepam prevented the effects induced by fluoxetine, indicating that the reduction of intracortical inhibition promotes visual cortical plasticity in the adult. Our results suggest a potential clinical application for fluoxetine in amblyopia as well as new mechanisms for the therapeutic effects of antidepressants and for the pathophysiology of mood disorders.

Now this brings me to an important conclusion. We have shown earlier that depression is associated with a bland sense of taste and a bland sense of smell. I have also heard of anecdotal evidence (including from readers of this blog) that depression leads to loss of fine sensation capabilities in other realms too including loss of an ability to discern pitch. Thus, to me it seems that the reason one has bland sensations in depressive states may have to do with reduced neurogeneisis and loss of neurons in the sensory areas. Anti-depressants also restore the sense acuity back, so apparently they are able to induce neurogenisis and plasticity in other barin regions than the hippocampus and their anti-depressant effects may largely be due to this factor. I had hypothesized earlier that depressed people should have diminished sense in other areas too – like that of vision and it will be interesting to see if data exists to support this view. Are there disorders similar to the ‘lazy eye’ that are more common in depressed people than in normal controls ; if so they would definitely be cured by prozac and one reason why people may be getting better due to medication may be because they can feel the world as vivid again. I theorize that while everything seems more vivid in mania, the reverse is true for depression and the underlying reason may be the anomalous neurogenesis. If so, there is hope for people who get their senses diminished as a result of depression- with an insight into how anti-depressants work – by improving neurogenisis and plasticity- we may be able to make better drugs that benefit them.

I’ll be watching this anti-depressant as a general enhancer of plasticity theory very keenly in the future and would love any pointers to research on the same lines from my readers.

The facebook persuasion methods

There is a  recent article  on BBC that covers The Psychology Of Facebook course of professor B J Fogg a persuasion psychologist from Stanford. This is a bold attempt to teach psychology of persuasion by taking a real world of Facebook and its viral growth as well as the growth of applications on Facebook.

He says: “When Facebook came along I was one of the developers at the
launch and what struck me was how there was this new form of
persuasion. This mass interpersonal persuasion.”

Professor Fogg says the pivotal moment came when he watched an
application on the site go from “literally zero to more than a million
users in a week”.

“Where on earth could you get a million customers in a week? That was
when I said ‘I want to learn more about this’ and I thought the best
way was to teach a class and look at how persuasion happens.”

There is an interesting case study of why people upload their profile photos:

Today the focus is on the use of profile pictures, the photograph on the front page of every Facebook entry.

The discussion is lead by Psychology Senior Richard Barton, who
maintains Facebook’s high strike rate in this area has to do with the
default picture it puts up if you don’t post your own.

“Who wants a question mark in place of their face and what questions
does that raise about you? Like, why are you on Facebook? And so
basically Facebook sets up an environment where your friends do the
persuading to get you to post a picture.”

This is interesting. Others before Facebook have tried various measures for persuading users to reveal their true identities. A case in point is the tongue-in-cheek ‘anonymous coward’ that is displayed as your user name on slashdot if you do not sign in and give your real user name. I don’t know whether it was the question mark, or because I normally do not value anonymity, but I posted my photo on Facebook as soon as I joined.

BTW, for those of you who want to connect: here is my Facebook profile page and I’ll love to get connected with my readers. Also in case someone is interested my twitter id is sandygautam and you can also follow me there.

 

Art and Insanity: is there risk involved in artistic creation?

William Schultz has just posted a blog entry regarding how artistic creation may have an associated risk of suicide/ depression/ psychosis and how exploring the depths of one’s psyche may lead one to the downward spiral that ends with taking one;s own life. He gives Sylvia Plath and Diane Arbus as examples and I agree with his basic premise that writers/ artists are especially vulnerable to extreme mental states as they try to explore the depths of human experience by imagining the extremes that are possible.

I ,myself, consider myself to have moderately good writing talent, and have found that when I write literature , be it poems or short stroies or novellas, the theme of the creation starts taking its hold. this is most apparent when for example I recently added a few sonnets to my epic-in-making The Fools Quest. The initial sonnets depict a person who is on a brink of new journey, somewhat facing an existential angst and in general questioning both his past and his future. now, though, I myself am very well adjusted and happy with my life as it is going, just creating in myself the protagonists mindset led to a state where I myself started feeling restless, unsatisfied and in general more eager for change and willing to rock the boat. This may seem anecdotal evidence, but there is good statistics showing prevalence of mental health disorders in artists in general and writers in particular.

I would now quote a bit from Schultz’ post (italics mine):

What’s going on here? It’s more than a little uncanny. As Wendell Berry once said: “To go in the dark with a light is to know the light. To know the dark, go dark.” Both Plath and Arbus knew the dark, but this knowing came at a massive price. The dark stayed dark. Forever. Some artists–not all–do not survive the hero’s quest. Maybe, when the moment comes, they lack the requisite “ego strength” to re-compose after the decompensation that a certain category of art requires. Or else: once they achieve genius, the question becomes: Where do I go from here? Having reached the top of the mountain, there is nothing left but the descent, and the idea of descending is simply intolerable, ultimately depressing.

I don’t know, whether my quest is a hero’s quest or a fool’s quest , but I definitely know that I have slowed down as I saw that the quest was affecting my mood. Hopefully, as the quest moves to more adventurous phases and away from the initial dilemmas , it would have more uplifting effects. Hopefully, I wont fall from the cliff like my Fool is planning to!




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